Recovery agent Teji and fashion designer Jinal dream of making it big in showbiz. Both win a ticket to a popular awards show in New York where they get a chance to showcase their talent. However, they soon realise that they are mere pawns in the hands of event manager Sophie, who wants to teach her boss a lesson.

Welcome to New York is a television sitcom that aired on CBS. The show starred Jim Gaffigan, who played a weatherman from Fort Wayne, Indiana, who then moved to New York and worked as a meteorologist for fictional morning news show called "AM New York". Christine Baranski played Marsha Bickner, the larger-than-life, tightly-wound producer of "AM New York" who hired Jim, but tends to forget the details about his life - like where he moved from. The show premiered October 11, 2000 and aired until January 17, 2001. CBS canceled the show due to low ratings.

New York is finally ready to tackle her lifelong dream: superstardom. Don't get it wrong - New York is already a star but she wants to be on the A-list - as a legit actress. In order to focus on her new mission, New York has to put her last conquest, Tailor Made, on the backburner as she tries to take on Tinsel Town. She's moving out west to see if she can climb the Hollywood ladder. Question is, will she reach for the stars or fall flat on her face?

English-language spin-off from the South Korean zombie film Train to Busan, depicting the outbreak in New York.

English-language spin-off from the South Korean zombie film Train to Busan, depicting the outbreak in New York.

Kevin Hart highlights the fascinating contributions of black history's unsung heroes in this entertaining -- and educational -- comedy special.

An overview of the history of the era, and the realities of the commercial conflicts, racism, rivalries, and dangers that plagued 19th Century New York.

TWICE 2021年新团综 TWICE REALITY “TIME TO TWICE” TWICE New Year

TWICE 2021年新团综 TWICE REALITY “TIME TO TWICE” TWICE New Year

An examination of the politics of naming, belonging, and cartography. Maps blur and names shift as the filmmaker questions colonial logics of place and identity, asking: how do we rename ourselves in a world that has already named - and claimed - so much?